12 months of film
- Canon P, using the Canon 35mm f2.8 LTM and the 50mm Jupiter 8
- Canon MC with its 35mm lens
- HP5, pulled to ISO 200 and developed in HC110
- Kodak Gold
- Kodak Ultramax
- Kodak Portra 160
- One roll of Ilford HP5, shot at 800 ISO with a yellow filter. I developed it at home in HC-110 Solution A and scanned it using my Fuji X-E4 and the Minolta MD 50mm macro lens.
- One roll of Kodak Portra 800, which was developed and scanned by my local lab.
12 Months of Film – October
In October I shot a roll of Kodak Gold with my Leica M6 and the Voigtländer Nokton 35mm f/1.4.
I tried to capture the few days of golden autumn light – with mixed results. Most images were taken in Nidda Park in Frankfurt; the cat was photographed in a small village in the Odenwald.
My favourite shot is the panorama in front of the Alte Oper. Two women at the centre, filming themselves for a virtual audience – while the people around them become, at least partially, their real one. Others simply pass by, minding their own business. Everything seems arranged, and the stage is the concert hall itself.







12 Months of Film – September

September is a lean month. I only have one image to show for it. I did shoot an entire roll of Adox CHS 100 II, but very few frames turned out usable. Most of the negatives were completely clear. Who’s to blame? Leica, of all things.
I had bought my Leica M6 a few months earlier through the Leica Classic online shop. A 1991 model in excellent condition, freshly serviced by Leica themselves, with a two-year warranty. When I decided to get an M6, I deliberately chose Leica as the seller rather than some random dealer or an eBay listing. Buying a Leica is a significant investment as it is – I wanted to make sure I’d get the best possible product with the best possible service.
Ironically, after just a few weeks, the shutter release started acting up. A Leica M6, freshly serviced by Leica (!), with a mechanical issue. I was annoyed, sure. But this was exactly the scenario I had prepared for by buying a camera with warranty.
Since Wetzlar isn’t too far away, I spontaneously drove to Leica’s headquarters to have a technician take a look. It also made for a good excuse to visit the Leitz Park and the Ernst Leitz Museum on the campus.
They helped me fairly quickly. Someone at the service counter took the camera to the technicians and returned a few minutes later, problem solved. Apparently, during the last service, the shutter button hadn’t been seated correctly in the body. I was glad to have my camera back so soon. But back home, I discovered that bulb mode no longer worked. Pressing the shutter in bulb mode would make the curtain open and close almost instantly, instead of staying open as long as the button was held. Gritting my teeth, I planned another trip to Wetzlar for the following week.
Still wanting to keep up with my photo challenge and thinking nothing of it, I loaded a roll of Adox CHS 100 II and continued shooting as planned.
A week later, I was back at the Leitz Park. The weather was perfect, and I shot what were probably some lovely frames of the buildings on the campus. Same counter. Same employee. He recognized me immediately and couldn’t believe I was back. I explained the problem, which he could reproduce right away. He said a technician would need to look at it – about 45 minutes. My girlfriend had come along, so we passed the time at the café on site with our complimentary drink vouchers.
45 minutes later, the camera was handed back to me. Fixed – for real this time. They apologized for making me come back twice, then explained what had gone wrong. I don’t remember the exact details, and the explanation was a bit too technical for me to fully grasp. But in short: during the previous repair, a technician had accidentally knocked a part without noticing, which disabled bulb mode. They had now fixed it and also recalibrated all the shutter speeds to make sure everything was running correctly. That gave me pause for a moment – but I didn’t think much of it.
Then, some time later, when I finally developed the roll I had shot between the two repairs, it became painfully clear why they had recalibrated the speeds. It wasn’t just bulb mode that had been broken – all the shutter speeds had been thrown off as well. The entire roll was basically blank. Except for two or three frames, there was nothing. The image above is pure luck – shutter speed and aperture just happened to align.
It’s frustrating, and for a while I felt like I’d been had. You pay a lot of money for a premium product with warranty and good service, and you end up disappointed on every level. It could have been worse, though. What if I hadn’t noticed the bulb mode issue and taken the camera on vacation? On my last trip, I shot maybe five rolls with some really great images. They would all have been blank.
Looking back, I think I was just unlucky. The Leica staff seemed genuinely surprised by my case – this apparently doesn’t happen often. Given Leica’s reputation, I can’t imagine it does.
In the end, I got lucky. If I had bought the camera somewhere without proper service, I would have been stuck paying for expensive repairs at Leica or another workshop.
I’m over it now. I’m happy with my camera – it hasn’t given me any trouble since and works flawlessly. As you’ll see in the upcoming posts, I got some nice shots with it for the rest of the year.
12 months of film – August
In August I shot two rolls of film: one Kodak Portra 800 and one Kodak Ultramax 400. Both were shot on the M6—the roll of Portra with the Canon 35mm f/2.8 LTM, the roll of Ultramax with my then-new Voigtländer 35mm f/1.4 Nokton VM II (MC). Both were developed by my local lab and scanned at home with my Fujifilm X-E4, then converted in NLP.
The images were taken in Frankfurt at the Opernplatz, in our allotment garden, in Niddapark, and in the Odenwald region.










12 months of film – July
July was a two-roll month: one HP5 and one Kodak Ultra Max, both shot at box speed. The color negative went to my local lab as usual, while I developed the HP5 myself in HC110. I scanned both rolls at home.
All images were shot with my Leica M6 and the Canon 35mm f/2.8 LTM lens. The avid reader might suspect—and the faithful podcast listener already knows—that the Leica is a new camera in my arsenal. More on that later, perhaps.
Locations: Nidda Park Frankfurt, my allotment garden, and the surrounding garden colony.












12 months of film – June
In May, I didn’t complete a full roll of film. While I did take a few shots, none were quite worth sharing. The images I’m sharing here were actually taken in June.
I used the Canon P with the Canon 35mm f/2.8 LTM lens and shot on Kodak Tri-X film. I developed the film myself using HC-110 and scanned the negatives with my Fujifilm X-E4.



12 months of film – April
In April, I took a lot of photos for my personal film challenge. I managed to shoot almost five rolls of film. This was partly thanks to the good weather, feeling motivated, and having a week off from work.
The photos were taken with my:
I used the following film stocks:
All the films were scanned at home using my Fujifilm X-E4 and a Minolta 50mm Macro lens. The color films were developed by my local lab.


















12 months of film – March
In March I barely shot one roll of film. I’m not sure why, but that’s how it is. On top of that, I wasn’t really feeling inspired, so the shots I got are, let’s say, mediocre. But that’s part of the challenge.
I shot these frames with the Canon MC on Kodak Gold. The film was developed by my local lab and then scanned by me using my Fuji X-E4 with the Minolta 50 mm Macro lens. Post-processing was done in Lightroom with Negative Lab Pro.
Here are some of the images I ended up with:






12 months of film - February
In my pursuit of shooting more film regularly in 2025, I shot two rolls of film in February. Both rolls were captured using my Minolta X-700 with the 35mm f/1.8 lens.
The images were taken in and around the Städel Museum in Frankfurt, the Bahnhofsviertel area, the city center of Frankfurt, and within the scenic landscapes of the Odenwald region.


















12 months of film - January
As I wrote at the beginning of the year I’m shooting at least one roll of film every month throughout 2025. In January, I actually ended up shooting two rolls—here are some of my favorite images from those rolls. All were captured on Ilford HP5+ at ISO 400, using my Minolta X700 with a Minolta MD 35mm f/1.8 lens and a yellow filter. The photos were taken around Frankfurt—either on my street photography walks or during visits to my local park.
(Developed in HC110 Dilution B at home. Scanned with my Fuji X-E4 and the Minolta MD 50mm macro lens)









