12 months of film – April
In April, I took a lot of photos for my personal film challenge. I managed to shoot almost five rolls of film. This was partly thanks to the good weather, feeling motivated, and having a week off from work.
The photos were taken with my:
- Canon P, using the Canon 35mm f2.8 LTM and the 50mm Jupiter 8
- Canon MC with its 35mm lens
I used the following film stocks:
- HP5, pulled to ISO 200 and developed in HC110
- Kodak Gold
- Kodak Ultramax
- Kodak Portra 160
All the films were scanned at home using my Fujifilm X-E4 and a Minolta 50mm Macro lens. The color films were developed by my local lab.


















One Scene, Two Cameras, Three Versions of a Photo
Last October, I spent my vacation on the Amalfi Coast. Positano was, of course, one of the most spectacular places I visited.
I decided to shoot hybrid on this trip, using both my digital camera and two analog cameras loaded with 35mm film.
Probably my favorite photo from that day in Positano is one I shared early on my website, which later inspired a small series called Positano in October.
The photo exists in both digital and analog versions—in this case, the film version was taken on Kodak Gold.
Usually, I prefer the colors from my film images over the digital ones. But with this particular scene, it was the opposite. The version I originally posted was the digital one, because the way I edited the RAW file matched what I had imagined when I took the shot. The film scan I got from the lab just didn’t have the qualities I love about film. The colors were off, there was too much contrast, and I lost a lot of detail in the highlights and shadows. It was still a decent photo, but just not quite right.
As time went by, I started getting into scanning my color film myself. I had already been scanning my black-and-white negatives because I develop those at home.
I kept thinking about rescanning that Positano photo myself, but never got around to it—until last weekend, when I finally had the time. I scanned the negative and processed it with Negative Lab Pro, and the result speaks for itself. There’s so much more detail in the shadows and highlights, and the colors look much closer to what I had in mind. It has all the character of the digital photo, but without the clinical sharpness or the sometimes unrealistic dynamic range. To me, it just feels more pleasant.
I guess the lesson here is: if you can, scan your own negatives. Photo labs can’t always recreate your creative vision—it’s something you have to do yourself.
For reference, here’s the digital image once again. I used Fuji’s Astia simulation as a starting point and tweaked the contrast and white balance until it looked the way I wanted.
The digital photo was shot on the Fujifilm X-E4 and XF23mmF2 R WR. The analog photo was shot on the Canon P and the Canon 35mm f2.8 LTM with Kodak Gold.
12 months of film – March
In March I barely shot one roll of film. I’m not sure why, but that’s how it is. On top of that, I wasn’t really feeling inspired, so the shots I got are, let’s say, mediocre. But that’s part of the challenge.
I shot these frames with the Canon MC on Kodak Gold. The film was developed by my local lab and then scanned by me using my Fuji X-E4 with the Minolta 50 mm Macro lens. Post-processing was done in Lightroom with Negative Lab Pro.
Here are some of the images I ended up with:






12 months of film - February
In my pursuit of shooting more film regularly in 2025, I shot two rolls of film in February. Both rolls were captured using my Minolta X-700 with the 35mm f/1.8 lens.
- One roll of Ilford HP5, shot at 800 ISO with a yellow filter. I developed it at home in HC-110 Solution A and scanned it using my Fuji X-E4 and the Minolta MD 50mm macro lens.
- One roll of Kodak Portra 800, which was developed and scanned by my local lab.
The images were taken in and around the Städel Museum in Frankfurt, the Bahnhofsviertel area, the city center of Frankfurt, and within the scenic landscapes of the Odenwald region.


















12 months of film - January
As I wrote at the beginning of the year I’m shooting at least one roll of film every month throughout 2025. In January, I actually ended up shooting two rolls—here are some of my favorite images from those rolls. All were captured on Ilford HP5+ at ISO 400, using my Minolta X700 with a Minolta MD 35mm f/1.8 lens and a yellow filter. The photos were taken around Frankfurt—either on my street photography walks or during visits to my local park.
(Developed in HC110 Dilution B at home. Scanned with my Fuji X-E4 and the Minolta MD 50mm macro lens)










New Year’s Film Resolution
Trailer with Spoilers
tldr: I’m doing a photo challenge in 2025: shooting at least one roll of film every month to stay creative and consistent.
The Origin Story
For as long as I can remember, I’ve wanted to take photos. As a child, I would watch my father use his Canon SLR, and I couldn’t wait to play with it—I wanted one of my own. When I received my first camera—a Voigtländer film point-and-shoot—for my ninth birthday, I became a photographer. And I’ve never really stopped being one since.
I was always the guy with a camera on school trips, birthdays, and family parties. At one point, I even considered studying something photography-related. That didn’t happen, but I never stopped taking pictures. I became the one people asked about photos from the latest social event. For a while, photography felt more like a chore than a hobby, and I took fewer pictures, often just using my phone. But a few years ago, I felt the urge to re-embrace photography. Exploring new genres and cameras, I’ve reached a point where I’m taking more photos than ever—both digital and film.
With Great Cameras Comes Great Responsibility
One of the reasons I’m shooting more these days is that I try to keep things interesting.
Last year, I set myself a challenge: to shoot exclusively with a 35mm focal length (or 23mm on APS-C). It worked out wonderfully, and I fell in love with 35mm. For 2025, I considered switching to another focal length, but I’ve grown so comfortable with 35mm that changing it again felt like an unnecessary disruption.
Then I heard Toby Baier talking about his medium-format film challenge on Realitätsabgleich. I borrowed the idea for my own project in 2025: My goal is to shoot at least one roll of film every month. I can shoot more, but I’m not allowed to “make up” for a missed month by shooting two rolls in January and skipping February. The minimum is one roll every month.
Last year, I shot more than one roll per month on average, but it’s easier to take photos in the summer or on vacation. This challenge is about building consistency—encouraging myself to shoot even when the weather isn’t great or inspiration is harder to come by. Hopefully, it will make me a better photographer. Worst case? I’ll simply take photos without improving much. But even then, I’ll have been creative.
Post-Credit Scene
For January, I’m already at 1.5 rolls of film, so it’s a good start! Right now, I’m shooting HP5 with a yellow filter, but that’s not a requirement for the challenge—I’m free to experiment with different films whenever I like.
I plan to share the results on my website throughout the year.
Positano in October - Part 3
Let’s move on to some film photos. These were taken with my #Canon P and the Canon #35mm lens on #Kodak #Portra 400.
My first roll of Harman Phoenix 200 | Shot on Canon P / 35mm
I shot my first roll of Harman Phoenix 200 throughout August and September. These are a few street shots from uptown Frankfurt, the Messe area, my home district Ginnheim, as well as Bockenheim and Höchst.
The results turned out better than I expected. After watching several film YouTubers review this stock, I was worried the colors would lean too much toward red, and that the contrast might be too harsh for midday shots. There is a noticeable red tint, and some halation, but I think it’s still acceptable. This film works well if you’re going for that specific look or effect, but it’s not ideal for everyday or vacation photography — at least not for me. I do like how the colors of the sky came out, though.
Overall, it’s a decent first attempt by Ilford/Harman at color film. I hope they continue to develop and improve it further.
| Shot on Canon P / 35mm / Harman Phoenix 200
The Browser I was waiting for
In times when one does not want to use Chrome or other Chromium-based browsers, and the new and trendy browsers like Arc are Chromium-based, the choice is quite limited—especially if you want proper extensions and a design that doesn’t suck. So, Firefox is out because it looks terrible. But Gecko is fast and reliable. In the search for a Gecko-based browser that tries to be a bit more modern and doesn’t look terrible, I stumbled upon Zen Browser. It’s basically “just” a Firefox fork with a nice UI that adapts modern ideas for tab management. It’s still in alpha and sometimes has bugs, but it works very well, and it’s currently my default browser on both my private and work computers.